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#26

#24

Art in Public Places II

This piece is in the library plaza in Orinda Village.

Art in Public Places

One of my favorites in our little village.

Emily Richardson at EBHQ

This is a WIP from cloth I painted in a workshop with Emily Richardson. She was the speaker for our June meeting at my guild, East Bay Heritage Quilters . The picture looks a little wonky. I got a new camera that I am trying to figure out. This is one of the first pictures. More soon if I ever figure it out.

I was first attracted to the layers of color in Richardson's work. I experience an exquisite ethereality in many of her pieces. We saw her work, Until the Day, last week in Athens, Ohio at Quilt National. It was so exciting that she was scheduled to speak and teach this week for our guild. Doing the EBHQ workshop afforded the opportunity for close inspection of her work. I was enchanted by the lines she creates both in her applique technique and her quilting line.

My friend Chris at Reap As You Sew posted some great pictures of cloth she made during a class. She also briefly describes the materials we used.

ART!

This is how I feel about art.

Happy Beethoven's Birthday!

Elizabeth Peyton and Creativity

I'm always behind in reading the New Yorker so I just discovered the profile of the painter Elizabeth Peyton by Calvin Tomkins in the October 9 issue. Unfortunately, the entire article is not available online but there is an abstract and a slide show with 9 pictures of her paintings.




There is a lot of interest in her at the moment because of a mid-career survey of her work at the New Museum on the Lower East Side. The New York Times published a review of the show by Roberta Smith. There is also an audio slide show.

Both articles articulate similar themes. Peyton seems to need to almost fall in love with her subjects. If the attraction is ther, she returns for further explorations. She works from both art/photographs and life. I love that she acknowledged in an interview with Tomkins that she makes lots of bad art.

I would love to see this show especially because the pieces are small. Smith's words are that "few are larger than your face."

Additional images can be found at the artnet page for Elizabeth Peyton.